Bangladesh encompasses a wealthy
musical heritage. From precedent days, music served the aim of documenting the
lives of the individuals and was wide patronized by the rulers. Bengali music throughout this
era was principally joined to spirituality and prayer. Most people songs relate
to some variety of praise for the gods and their creation. Songs were related
to explicit teams of individuals, like fishermen, cart-drivers, hermits so on.
Modernisation of Bengali music
occurred at completely different times and, for the foremost half, freelance of
western influence. Most notable of those changes were:
quality of people music of Sufi genres:
introduction of philosophy and faith in music.
Introduction of variations of music genre
through the works of Rabindranath Tagore, a laureate writer.
Introduction of difficult piece and use of
music as a revolutionary tool through the works of Kazi Nazrul Islam.
Modernization of people music.
Fusion of ancient music with Western
instrumentation to revitalize and re-popularize Bengali music in a very society
more and more flooded by the West.
Categories:
The music of Bangla Desh is
loosely classified into 3 basic genres. The 3 main classes square measure
Classical, folks and Western-influenced pop.
Classical:
Bangladeshi serious music is
predicated on modes referred to as ragas (rag, in Bengali). All ancient Bengali
music tend to be supported varied variations of Hindustani serious music.
Some of the foremost proficient
classical musicians of the sub-continent come back from Bangla Desh as well as
Ustad Allauddin Khan, Sangeetacharya Tarapada Chakraborty, Pandit Shankar,
Pandit Manas Chakraborty, Ustad Ayet Ali Khan, Ustad Abed Hossain Khan and then
on.
Rabindra sangeet
Rabindra sangeet beginning starting
the installation of Rabindranath Tagore
Rabindra sangeet, supported the
work of the Bengali author Rabindranath Tagore is one in all the known genres
of Bengali music outside Bangla Desh.
Nazrul Geeti
Nazrul Geeti virtually which
means "Nazrul's songs", square measure the works of Kazi Nazrul
Islam,the national author of Bangla Desh and a vigorous revolutionary
throughout the Indian independence movement.
Due to Islam's dedicated nature
and manner, Nazrul geeti, that consists of regarding forty songs composed by
the author, wasn't thought for a awfully durable (and is arguably still not as
commercially recognized as Rabindra sangeet). Bangla Deshi singer Firoza Muslim
contend a awfully huge role in popularising Nazrul geeti in each Bangladesh and
province. Sohorab Hossain, Ferdous Ara, Shabnam Mushtari, additionally contend
an important role in popularizing Nazrul geeti.
Folk:
Bengali popular music contains a
long history. many folks contributed to what has become one in all the foremost
necessary musical influences within the lives of Bengalis on either side of the
(West Bengal-Bangladesh) border. Among these square measure Lalon Fokir, Hason
Raja and Ramesh Shill. Abbas Uddin was a key player in popularising popular
music presently.
Painting representational process
Hason Raja.
Folk music will clearly be
distinguished and classified into many sub-genres:
Baul: primarily galvanized by Lalon Fokir
and his Sufi'isque method of life and virtually completely performed by hermits
WHO have embraced such a life vogue
Bhandari: pious music from the South (mainly Chittagong)
Bhatiali: music of fishermen and boater, nearly always tied by a typical
raga (mode), sung solo
Gajir geet: ancient music from the North (Rangpur)
Gombhira: song (originating in Chapai Nawabganj, within the Northwest)
performed with a selected distinctive rhythm and dance with 2 performers,
continuously personifying a person and his grand father, discussing a subject
to boost social awareness
Hason Raja: pious songs written by music
musician Hason Raja (from Sylhet, northeastern aspect of Bangla Desh close to Assam) that was
recently repopularised as ballroom music
Jatra Pala: songs associated completely with plays (performed on-stage).
typically involves vibrant displays of historical themes.
Kirtan: pious song representational process love of Hindu god Krishno
and his (best-known)
Pala: songs from the haor (lake, wet space)
area in Sylhet, Kishoregonj, and Netrokona typically performed on stage live by
folks singers
Kavigan: poems sung with easy music typically conferred on stage as a
musical battle between poets
Lalon: best identified of all folks songs and therefore the most import
sub-genre of Baul songs, virtually entirely attributed to non secular author
and musician, Lalon Fokir of Kushtia. he's identified to all or any in wast
geographical area of India
too.(Western Bangla Desh, close to the border with West
Bengal)
Mursidi: Islamic songs of dedication of the
Shi'ah teams mostly based primarily on Western influences
Shaari: song of boatmen sung in
teams to match the beat of the implement movement
Upojatiyo: songs of the minor ethnic teams (Tribal group)- value noting,
this can be not extremely a classification since songs of those ethnic teams
(of that there square measure a minimum of thirteen totally different groups)
vary wide and have terribly distinct and intriguing characteristics
Wedding songs: sung everywhere Bangla Desh
however continuously tied by similar tunes and by, obviously, a typical theme,
marriage
Of these many teams, Baul songs
square measure the most effective identified. The baul repertoire was notably
enriched by the works of Lalon.
All folks songs square measure
defined by easy musical structure and words. Before the appearance of radio, amusement
within the rural areas relied to an outsized extent on stage performances by
folks singers. when the arrival of recent communication and digital media, many
folks songs were progressive and incorporated into trendy songs (Adhunik
songeet).
Baul
Baul has been such an enormous
influence in Bangladeshi music that it deserves being referred to as a genre on
its own. However, though Baul geeti is defined by specific nature of music and
outlined by a particular cult. so as to know Baul geeti, it's necessary to know
its creators.
Baul is sort of completely
performed by Bauls (hermits) WHO square measure followers of religious
mysticism in Bangla Desh. (Note that historically bauls were Hindus; the
influence of religious mysticism perhaps attributed to Lalon monarch. Early
Bauls claimed to be followers of Islam and centered on love of the society and
by the society Baul geeti went through a serious amount of struggle, as did the
Bauls overall population to simply accept the Bauls and their non secular music
as a part of the society.
Present day Bauls in Bangla Desh
square measure Sufis. Most live easy lives and earn primarily from activity
their music. Baul songs continuously incorporate easy words expressing songs
with deeper meanings involving creation, society, manner and human emotions.
The songs square measure performed with little or no musical support to the
most carrier, the vocal. Bauls, bohemian naturally and belief, leave on grand
expeditions, writing and activity music on their entire trip to earn a living
and disseminative their notions of affection and spirituality.
Ektara (literally, the
one-string), Dotara (literally, the two-strings), ba(n)shi (country flute made
up of bamboo)) and cymbals square measure utilized in the presentation lost quality
primarily owing to disruption of the approach to life of the bauls by
urbanisation and Westernization, the songs have for good altered Bengali music,
particularly within the variety of Lalon geeti.
Baul songs were massively
promoted by angel Alamgir and Feroz Shahi in Bangla Desh.
Lalon:
Lalon geeti is that the work of
musician and thinker, Lalon monarch (also referred to as Lalon Fokir). Most of
his songs square measure extensions of Baul geeti. However, his songs square
measure continuously additional philosophical in nature, involving larger
thought of abstract themes. somebody suppose that, his song if choked with
Atheism. however it's unsupported.
Lalon geeti originated in Kushtia
and has been popularised throughout the 2 geographical areas (West Bengal and Bangladesh) by
varied artists. Among the proponents of Lalon geeti, Farida Parveen is
especially value mentioning for her intensive add modernising tunes.
Adhunik:
Adhunik sangeet virtually
suggests that "modern songs". Although, to outsiders, this might seem
to be Associate in Nursing ambiguous terminology, it's specific motivations.
Bengali music historically has
been classified primarily by the region of origin and therefore the creators of
the expressive style, like Nazrul geeti (written and composed by Kazi Nazrul
Islam), ghombhira (unique to a selected space in Bangladesh), etc. However, this
prevented the flexibility to classify any music that didn't match into any of
the categories.
In the amount simply before
Indian independence (Bengal, beneath British rule, was a region of 1 large
{india|India|Republic of India|Bharat|Asian country|Asian nation} that doesn't
precisely correspond to the India
of current day), many new minor musical genres emerged, primarily within the
variety of playback songs for movies. These songs didn't match into any
specific genre, however looked as if it would be tied along by common theme of
"music audience and were characterised by fashionable catchy tunes with
easy words that were so much moved from
the classical ragas (modes). Hence, a miscellaneous class, Adhunik sangeet, was
created, since, at that point, this music was "modern".
Although over time these supposed
"modern" songs became fairly previous, they still be referred to as
by constant name. curiously, this class has adult quicker and wider than the
other, since it's miscellaneous nature accommodated any variety of music that
didn't match elsewhere. The common theme continues to exist. Thus, despite the
imprecise terminology, the genre remains well-defined.
Notable Adhunik sangeet singers:
Runa Laila
Shahnaz Rahmatullah
Sabina Yasmin
Ferdousi Rahman
Syed Abdul Hadi
Mitali Mukherjee
Shakila Zafar
Samina Chowdhury
Alam Ara Minu
Abdul Jabbar
Bashir Ahmad
Saint Andrew the Apostle Kishore
Baby Nazneen
Kanak Chapa
Momtaz Muslim
Fahmida Nabi
Ustad Neaz prophet Chowhhury
Subir Nandi
Abida Sultana
Rafiq ul Alam
Farshid Alam
Asif Akbar
Rezwana Chowdhury
Papia Sorwar
Dilruba Khan
Modern music and western influence:
Post-independence, Adhunik
sangeet continuing to draw in massive numbers of additional upbeat music.
within the 80's, politically charged themes began to gain quality all over
again.
Pop music
Pop music:
Pop music in Bangla Desh was
initiated by band music. because the name suggests, this manner of music was
heavily influenced by the West. the best contributors to pop or pop-rock music
additionally enclosed the subsequent singers:
Azam Khan
Akhra (Aurongzeb man singer and
founder associate of zeathers, a goon. the q,feeling ,nagar baul and akhra.
angel Alamgir
Habib,Balam are literally solo performing
artist within the illusion of band
like mila ,fuad and ridoy et al like him.
Artists of the "Adhunik
Gaan" and folks (especially new wave) genre additionally contributed to
the popular music genre from time to time.
The popularity of the band music
accumulated staggeringly with the growing fan following of bands that
consolidated ancient Bengali music with Western pop-rock influences.
Souls
L.R.B
Nagarbaul
Ark
Arbovirus
VIbe
Artcell
Aurthohin
Bengali
Bangladesh
Beduin
Black
Blunderware
Bohemian
Bortoman
Cryptic Fate
os Shadow
Dalchhut
Dark
Dour
Dreek
Eclectic
Eclipse
Embrace Of Death
Face to Face
Feedback
Hash (#)
Lalon
Maqsood O' national capital
Mechanix
Metal Maze
Nagorik
Nemesis
Obscure
Orbz
Powersurge
Prohor
Prometheus
radioactive
Renaissance
Shironamhin
Stentorian
The Trap
The Watson Brothers
Septentriones
Warfaze
Eclectic
Mirror Blaze
Inanimate
Orchid
Abong
Kandari Akhra
Rock music:
Bangladeshi rock was introduced as
a sort by Azam Khan.
RockStarta, Warfaze Miles and
LRB. Hassan (associated with Ark[disambiguation
needed]) and James (Faruk Mahfuz Anam) (associated with Feelings and, later,
Nogor Baul) contributed in any popularizing Bangla popular music genre. Bangla
hard-rock was introduced by bands like Ark Rockstrata, Warfaze and later Orbz,
among several others within the late 90s.
Bengali rock songs became notably
fashionable following Ark's
(Tajmohol),(Janmabhumi),(Shadhinota), James (Thik ache bondhu) etc. albums. the
primary feminine rock singer of Bangla Desh was the favored young teenaged
singer Tishma.
Singers:
Adhunik:
Abeda Sultana: Adhunik, playback, radio and
tv
Abdul Jabbar: play back songster for movies
in Sixties and Seventies & creator of the Shadhin
Bangla-Betar-Kendro.
Saint Andrew the Apostle Kishor: playback
singer for movies for 3 decades
Fatema-tuz-zohura: revered singer for 3
decades
Zinga Goshty: one in all the earliest bands
(1970s) in national capital Chittagong).
Rabacka
Sultana: Nazrul Giti
Runa Laila: Ghazal singer and playback
singer in Nineteen Eighties
Ferdous Ara: illustrious Singer of
"Adhunik" songs
Asif Iqbal Sunbeam: Revolutionary remix
creator for the album chumki (first Bengali
digital
remix album), even have solo career from Nineteen Nineties
Tapan Chowdhury: went solo when starting
career in Souls.
Uma Islam: playback singer in Seventies and
Nineteen Eighties & creator of the Shadhin Bangla Betar
Kendro
M. Thakur: From the band Zeathers (1989),
solo singer, living in big apple
Shakila Zafar:
Asif Akbar :
Classical:
Muslim Akhtar: (deceased)
Nazrul Geeti (Kazi Nazrul Islam-
National author of Bangladesh)
Angur Bala: deceased
Arjumand Banu: deceased
Dalia Nausheen
Suzana ansar
Firoza Begum: fashionable within the
Sixties, meted out ton of experimental composition work
in a trial to popularise Nazrul
geeti
Ferdous Ara: (Leading Singer, Teacher and
man of science of
Nazrul Sangeet at DU, Govt. Music
faculty, Nazrul Institute.
Running an establishment of Music
named "SURSHAPTAK")
Leena Taposhi Khan: (Singer & Nazrrul Reaserser, taking
part in leading role to
popularising Nazrul Song )
Khairul Anam: up to date
Khaled Hossain
Shamsi Faruque Shimki
Laila Arjumand Banu: deceased
Sadya Afreen Mallick
Shabnam Mushtari
Shaheen mahmud Samad
Sohorab Hossain: contend key-role in
popularising Nazrul geeti
Nilufer Yasmin: deceased
Sudhin Das
Neelima Das
Sumon Chowdhury
Folk:
Abbas Uddin: revolutionary work with
popular music and its revivification
Abdul Alim
monarch Abdul Karim: from Sylhet
Abdur Rahman Bayati: from Jessore
Binoy Bansi Das: rhythm-specialist from
urban center
Bijoy Sarker: from Jessore, deceased
Farida Parveen: incomparable in Lalon Geeti, identified for 3 decades,
meted out Brobdingnagian comes on modernising and popularising Lalon geeti
Ferdausi Rahman: vastly fashionable for 3
decades, heir to made tradition established
Horolal Rai: deceased
Kanai Lal Shil:
Kangalini Sufia: singer from urban center
Khoda Box Shai: from Kustia
Kutubul Alam:
Neena Hamid: up to date
Saydur Rahman Bayati:
Rothindranath Rai
Rowshan Bayati: from Jessore
Beauty Das from urban center
Pop and rock vocalists and a few
bands:
James (Faruk Mahfuz Anam) musician of Nogor
Baul
In Dhaka:
dance band
Hassan: Pop rock musician.
in Bangladeshi popular culture, usually
noted because the "Pop Guru" of Bangla Desh.
Habib Wahid: Singer - composer and most
well liked music musician.
Tahsan Rahman Khan: at the same time
Singer, Songwriter, Composer,Model & Actors.
Tishma : singer-songwriter and initial
feminine music producer of Bangla Desh, she additionally modified and
revolutionized the complete performance and magnificence for feminine singers
in Bangla Desh, teenaged heart throb of popular music genre. *Arnob:
Singer-songwriter and record producer.
Akhand, when his untimely death in 80s.
Jewel: deceased
Souls: emerged in late 70s in urban center,
gained quality over quite a decade, served to launch Ayub Bacchu within the 90s
Tapan Chowdhury: went solo when starting
career in Souls
Warfaze: emerged in eighties as hard-rock
band and initiated rock era of Bangla Desh
Beauty Das from urban center (Winner 2002
Benson and Hedges Best Vocal)
Imran/Vox - Saza/DrumS - Rakib/GuItAR -
Sifat/BaSS - Nishat)
ORGAN (Progressive Rock Band) (Guitar -
man, Vox - Anik, Drums - Emran, Keyboard - Faysal, Bass - Shuvo) simply
discharged Associate in Nursing album (Protibimbo - A BAND MIXED ALBUM) on
twenty six March 2011.
Nemesis: massively fashionable alt-rock
band, presently recording their 2d album.
Powersurge: one in all the newcoming
triple-crown serious metal bands.
Abeer: player, Singer and composer.
Rabindra sangeet:
Abid: the youngest creator in tagore song
Atiqul Islam: deceased
Fahmeeda Khatun:
Iffat Ara Dewan: up to date
Kalim Sharafi deceased
Tapan Mahmud: President of Rabindra
Sangeet
Tagore artistes of Bangla Desh
Mita Huque:
Papia Sarwar: up to date
Rezwana Chowdhury Banya
Sadi prophet Takiullah:
Chanchal Khan: up to date
(www.chanchalkhan.com)
Adity Mohsin : up to date
Fahim Hossain Chowdhury : up to date
Iqbal Ahmed: living abroad
Sirajus Salekin: contemporary/living, Australia.
Shama Rahman: Cut nine audio albums for UNESCO, Paris for the a hundred and
fiftieth Birth day of Tagore.
liliaceous plant Islam: up to date
Dr Sanjeeda Khatun: up to date, higher
referred to as a specialist in Rabindra sangeet and because the founding father
of Dhaka's musical style faculty, Chhayanot;
won Desikottam award by
Zahidur Rahim: deceased
Kaderi Kibria: living abroad (USA)
Laisa Ahmed Lisa :one of the
leading creator of tagore song, additionally a preferred teacher of biological
science & Biotechnology at Juggernaut
University, Dhaka
Hip hop:
Stoic elation
Deshi Mcs
Uptown Lokolz
Lal Miah
T.O.D - Thugz Of national capital
T.O.R. - Theology of Rap
LIQUIDSILVA
Rap Hood Goonstaz
Cataclysm
The Stunnerz
Lyrical Assassins
E.S.S
High Rollers
D-Briggaz
R.I.S
Sinister
D hood squad
Desi Desciples
BanglA MentalZ
Bangla Youth Project
Abir Catalyst
Instrumental and compositional:
In 2009, Mushfiqul Alam initiated
instrumental/compositional genre in Bangla Desh along with his triple-crown
debut album Tunes Of Heaven.[2] This album became fashionable among listeners
of Bangla Desh WHO were terribly keen on compositions .