Music Of Bangladesh

Bangladesh encompasses a wealthy musical heritage. From precedent days, music served the aim of documenting the lives of the individuals and was wide patronized  by the rulers. Bengali music throughout this era was principally joined to spirituality and prayer. Most people songs relate to some variety of praise for the gods and their creation. Songs were related to explicit teams of individuals, like fishermen, cart-drivers, hermits so on.

Modernisation of Bengali music occurred at completely different times and, for the foremost half, freelance of western influence. Most notable of those changes were:

 quality of people music of Sufi genres: introduction of philosophy and faith in music.

    Introduction of variations of music genre through the works of Rabindranath Tagore, a laureate writer.

    Introduction of difficult piece and use of music as a revolutionary tool through the works of Kazi Nazrul Islam.

    Modernization of people music.

    Fusion of ancient music with Western instrumentation to revitalize and re-popularize Bengali music in a very society more and more flooded by the West.

Categories:

The music of Bangla Desh is loosely classified into 3 basic genres. The 3 main classes square measure Classical, folks and Western-influenced pop.

Classical:

Bangladeshi serious music is predicated on modes referred to as ragas (rag, in Bengali). All ancient Bengali music tend to be supported varied variations of Hindustani serious music.

Some of the foremost proficient classical musicians of the sub-continent come back from Bangla Desh as well as Ustad Allauddin Khan, Sangeetacharya Tarapada Chakraborty, Pandit Shankar, Pandit Manas Chakraborty, Ustad Ayet Ali Khan, Ustad Abed Hossain Khan and then on.

Rabindra sangeet

Rabindra sangeet beginning starting the installation of Rabindranath Tagore

Rabindra sangeet, supported the work of the Bengali author Rabindranath Tagore is one in all the known genres of Bengali music outside Bangla Desh.

Nazrul Geeti

Nazrul Geeti virtually which means "Nazrul's songs", square measure the works of Kazi Nazrul Islam,the national author of Bangla Desh and a vigorous revolutionary throughout the Indian independence movement.

Due to Islam's dedicated nature and manner, Nazrul geeti, that consists of regarding forty songs composed by the author, wasn't thought for a awfully durable (and is arguably still not as commercially recognized as Rabindra sangeet). Bangla Deshi singer Firoza Muslim contend a awfully huge role in popularising Nazrul geeti in each Bangladesh and province. Sohorab Hossain, Ferdous Ara, Shabnam Mushtari, additionally contend an important role in popularizing Nazrul geeti.

Folk:

Bengali popular music contains a long history. many folks contributed to what has become one in all the foremost necessary musical influences within the lives of Bengalis on either side of the (West Bengal-Bangladesh) border. Among these square measure Lalon Fokir, Hason Raja and Ramesh Shill. Abbas Uddin was a key player in popularising popular music presently.

Painting representational process Hason Raja.

Folk music will clearly be distinguished and classified into many sub-genres:

    Baul: primarily galvanized by Lalon Fokir and his Sufi'isque method of life and virtually completely performed by hermits WHO have embraced such a life vogue

  

 Bhandari: pious music from the South (mainly Chittagong)

 

  Bhatiali: music of fishermen and boater, nearly always tied by a typical raga (mode), sung solo

   Gajir geet: ancient music from the North (Rangpur)

 

  Gombhira: song (originating in Chapai Nawabganj, within the Northwest) performed with a selected distinctive rhythm and dance with 2 performers, continuously personifying a person and his grand father, discussing a subject to boost social awareness

  

 Hason Raja: pious songs written by music musician Hason Raja (from Sylhet, northeastern aspect of Bangla Desh close to Assam) that was recently repopularised as ballroom music

   

  Jatra Pala: songs associated completely with plays (performed on-stage). typically involves vibrant displays of historical themes.

 

  Kirtan: pious song representational process love of Hindu god Krishno and his (best-known)

  

 Pala: songs from the haor (lake, wet space) area in Sylhet, Kishoregonj, and Netrokona typically performed on stage live by folks singers

   Kavigan: poems sung with easy music typically conferred on stage as a musical battle between poets

 

  Lalon: best identified of all folks songs and therefore the most import sub-genre of Baul songs, virtually entirely attributed to non secular author and musician, Lalon Fokir of Kushtia. he's identified to all or any in wast geographical area of India too.(Western Bangla Desh, close to the border with West Bengal)

  

 Mursidi: Islamic songs of dedication of the Shi'ah teams mostly based primarily on Western influences

   

Shaari: song of boatmen sung in teams to match the beat of the implement movement

 

  Upojatiyo: songs of the minor ethnic teams (Tribal group)- value noting, this can be not extremely a classification since songs of those ethnic teams (of that there square measure a minimum of thirteen totally different groups) vary wide and have terribly distinct and intriguing characteristics

  

    Wedding songs: sung everywhere Bangla Desh however continuously tied by similar tunes and by, obviously, a typical theme, marriage

Of these many teams, Baul songs square measure the most effective identified. The baul repertoire was notably enriched by the works of Lalon.

All folks songs square measure defined by easy musical structure and words. Before the appearance of radio, amusement within the rural areas relied to an outsized extent on stage performances by folks singers. when the arrival of recent communication and digital media, many folks songs were progressive and incorporated into trendy songs (Adhunik songeet).

Baul

Baul has been such an enormous influence in Bangladeshi music that it deserves being referred to as a genre on its own. However, though Baul geeti is defined by specific nature of music and outlined by a particular cult. so as to know Baul geeti, it's necessary to know its creators.

Baul is sort of completely performed by Bauls (hermits) WHO square measure followers of religious mysticism in Bangla Desh. (Note that historically bauls were Hindus; the influence of religious mysticism perhaps attributed to Lalon monarch. Early Bauls claimed to be followers of Islam and centered on love of the society and by the society Baul geeti went through a serious amount of struggle, as did the Bauls overall population to simply accept the Bauls and their non secular music as a part of the society.

Present day Bauls in Bangla Desh square measure Sufis. Most live easy lives and earn primarily from activity their music. Baul songs continuously incorporate easy words expressing songs with deeper meanings involving creation, society, manner and human emotions. The songs square measure performed with little or no musical support to the most carrier, the vocal. Bauls, bohemian naturally and belief, leave on grand expeditions, writing and activity music on their entire trip to earn a living and disseminative their notions of affection and spirituality.

Ektara (literally, the one-string), Dotara (literally, the two-strings), ba(n)shi (country flute made up of bamboo)) and cymbals square measure utilized in the presentation lost quality primarily owing to disruption of the approach to life of the bauls by urbanisation and Westernization, the songs have for good altered Bengali music, particularly within the variety of Lalon geeti.

Baul songs were massively promoted by angel Alamgir and Feroz Shahi in Bangla Desh.

Lalon:

Lalon geeti is that the work of musician and thinker, Lalon monarch (also referred to as Lalon Fokir). Most of his songs square measure extensions of Baul geeti. However, his songs square measure continuously additional philosophical in nature, involving larger thought of abstract themes. somebody suppose that, his song if choked with Atheism. however it's unsupported.

Lalon geeti originated in Kushtia and has been popularised throughout the 2 geographical areas (West Bengal and Bangladesh) by varied artists. Among the proponents of Lalon geeti, Farida Parveen is especially value mentioning for her intensive add modernising tunes.

Adhunik:

Adhunik sangeet virtually suggests that "modern songs". Although, to outsiders, this might seem to be Associate in Nursing ambiguous terminology, it's specific motivations.

Bengali music historically has been classified primarily by the region of origin and therefore the creators of the expressive style, like Nazrul geeti (written and composed by Kazi Nazrul Islam), ghombhira (unique to a selected space in Bangladesh), etc. However, this prevented the flexibility to classify any music that didn't match into any of the categories.

In the amount simply before Indian independence (Bengal, beneath British rule, was a region of 1 large {india|India|Republic of India|Bharat|Asian country|Asian nation} that doesn't precisely correspond to the India of current day), many new minor musical genres emerged, primarily within the variety of playback songs for movies. These songs didn't match into any specific genre, however looked as if it would be tied along by common theme of "music audience and were characterised by fashionable catchy tunes with easy words that were so much moved  from the classical ragas (modes). Hence, a miscellaneous class, Adhunik sangeet, was created, since, at that point, this music was "modern".

Although over time these supposed "modern" songs became fairly previous, they still be referred to as by constant name. curiously, this class has adult quicker and wider than the other, since it's miscellaneous nature accommodated any variety of music that didn't match elsewhere. The common theme continues to exist. Thus, despite the imprecise terminology, the genre remains well-defined.

Notable Adhunik sangeet singers:

    Runa Laila

    Shahnaz Rahmatullah

    Sabina Yasmin

    Ferdousi Rahman

    Syed Abdul Hadi

    Mitali Mukherjee

    Shakila Zafar

    Samina Chowdhury

    Alam Ara Minu

    Abdul Jabbar

    Bashir Ahmad

 Saint Andrew the Apostle Kishore

    Baby Nazneen

    Kanak Chapa

    Momtaz Muslim

    Fahmida Nabi

    Ustad Neaz prophet Chowhhury

    Subir Nandi

    Abida Sultana

    Rafiq ul Alam

    Farshid Alam

    Asif Akbar

    Rezwana Chowdhury

    Papia Sorwar

    Dilruba Khan

Modern music and western influence:

Post-independence, Adhunik sangeet continuing to draw in massive numbers of additional upbeat music. within the 80's, politically charged themes began to gain quality all over again.

Pop music

Pop music:

Pop music in Bangla Desh was initiated by band music. because the name suggests, this manner of music was heavily influenced by the West. the best contributors to pop or pop-rock music additionally enclosed the subsequent singers:

    Azam Khan

    Akhra (Aurongzeb man singer and founder associate of zeathers, a goon. the q,feeling ,nagar baul and akhra.

 angel Alamgir

    Habib,Balam are literally solo performing artist within the illusion of band

 like mila ,fuad and ridoy et al like him.

Artists of the "Adhunik Gaan" and folks (especially new wave) genre additionally contributed to the popular music genre from time to time.

The popularity of the band music accumulated staggeringly with the growing fan following of bands that consolidated ancient Bengali music with Western pop-rock influences.

    Souls

    L.R.B

    Nagarbaul

    Ark

    Arbovirus

    VIbe

    Artcell

    Aurthohin

    Bengali

    Bangladesh

    Beduin

    Black

    Blunderware

    Bohemian

    Bortoman

    Cryptic Fate

 os Shadow

    Dalchhut

    Dark

    Dour

    Dreek

    Eclectic

    Eclipse

    Embrace Of Death

    Face to Face

    Feedback

    Hash (#)

    Lalon

    Maqsood O' national capital

    Mechanix

    Metal Maze

    Nagorik

    Nemesis

    Obscure

    Orbz

    Powersurge

    Prohor

    Prometheus

 radioactive

    Renaissance

    Shironamhin

    Stentorian

    The Trap

    The Watson Brothers

    Septentriones

    Warfaze

    Eclectic

    Mirror Blaze

    Inanimate

    Orchid

    Abong

    Kandari Akhra

Rock music:

Bangladeshi rock was introduced as a sort by Azam Khan.

RockStarta, Warfaze Miles and LRB. Hassan (associated with Ark[disambiguation needed]) and James (Faruk Mahfuz Anam) (associated with Feelings and, later, Nogor Baul) contributed in any popularizing Bangla popular music genre. Bangla hard-rock was introduced by bands like Ark Rockstrata, Warfaze and later Orbz, among several others within the late 90s.

Bengali rock songs became notably fashionable following Ark's (Tajmohol),(Janmabhumi),(Shadhinota), James (Thik ache bondhu) etc. albums. the primary feminine rock singer of Bangla Desh was the favored young teenaged singer Tishma.

Singers:

Adhunik:

    Abeda Sultana: Adhunik, playback, radio and tv

    Abdul Jabbar: play back songster for movies in Sixties and Seventies & creator of the Shadhin 

                            Bangla-Betar-Kendro.

 Saint Andrew the Apostle Kishor: playback singer for movies for 3 decades

    Fatema-tuz-zohura: revered singer for 3 decades

    Zinga Goshty: one in all the earliest bands (1970s) in national capital Chittagong).

    Rabacka  Sultana: Nazrul Giti

    Runa Laila: Ghazal singer and playback singer in Nineteen Eighties

    Ferdous Ara: illustrious Singer of "Adhunik" songs

    Asif Iqbal Sunbeam: Revolutionary remix creator for the album chumki (first Bengali  

                                       digital remix album), even have solo career from Nineteen Nineties

    Tapan Chowdhury: went solo when starting career in Souls.

    Uma Islam: playback singer in Seventies and Nineteen Eighties & creator of the Shadhin Bangla Betar   

                        Kendro

    M. Thakur: From the band Zeathers (1989), solo singer, living in big apple

    Shakila Zafar:

    Asif Akbar :

Classical:

 Muslim Akhtar: (deceased)

   

Nazrul Geeti (Kazi Nazrul Islam- National author of Bangladesh)

    Angur Bala: deceased

    Arjumand Banu: deceased

    Dalia Nausheen

    Suzana ansar

    Firoza Begum: fashionable within the Sixties, meted out ton of experimental composition work

in a trial to popularise Nazrul geeti

    Ferdous Ara: (Leading Singer, Teacher and man of science of

Nazrul Sangeet at DU, Govt. Music faculty, Nazrul Institute.  

Running an establishment of Music named "SURSHAPTAK")

    Leena Taposhi Khan:    (Singer & Nazrrul Reaserser, taking part in leading role to

       popularising Nazrul Song )

    Khairul Anam: up to date

    Khaled Hossain

    Shamsi Faruque Shimki

    Laila Arjumand Banu: deceased

    Sadya Afreen Mallick

    Shabnam Mushtari

    Shaheen mahmud Samad

    Sohorab Hossain: contend key-role in popularising Nazrul geeti

    Nilufer Yasmin: deceased

    Sudhin Das

    Neelima Das

    Sumon Chowdhury

Folk:

    Abbas Uddin: revolutionary work with popular music and its revivification

    Abdul Alim

 monarch Abdul Karim: from Sylhet

    Abdur Rahman Bayati: from Jessore

    Binoy Bansi Das: rhythm-specialist from urban center

    Bijoy Sarker: from Jessore, deceased

    Farida Parveen: incomparable  in Lalon Geeti, identified for 3 decades, meted out Brobdingnagian comes on modernising and popularising Lalon geeti

    Ferdausi Rahman: vastly fashionable for 3 decades, heir to made tradition established

    Horolal Rai: deceased

    Kanai Lal Shil:

    Kangalini Sufia: singer from urban center

    Khoda Box Shai: from Kustia

    Kutubul Alam:

    Neena Hamid: up to date

    Saydur Rahman Bayati:

    Rothindranath Rai

    Rowshan Bayati: from Jessore

    Beauty Das from urban center

Pop and rock vocalists and a few bands:

    James (Faruk Mahfuz Anam) musician of Nogor Baul

    In Dhaka: dance band

    Hassan: Pop rock musician.

    in Bangladeshi popular culture, usually noted because the "Pop Guru" of Bangla Desh.

    Habib Wahid: Singer - composer and most well liked music musician.

    Tahsan Rahman Khan: at the same time Singer, Songwriter, Composer,Model & Actors.

    Tishma : singer-songwriter and initial feminine music producer of Bangla Desh, she additionally modified and revolutionized the complete performance and magnificence for feminine singers in Bangla Desh, teenaged heart throb of popular music genre. *Arnob: Singer-songwriter and record producer.

    Akhand, when his untimely death in 80s.

    Jewel: deceased

    Souls: emerged in late 70s in urban center, gained quality over quite a decade, served to launch Ayub Bacchu within the 90s

    Tapan Chowdhury: went solo when starting career in Souls

    Warfaze: emerged in eighties as hard-rock band and initiated rock era of Bangla Desh

    Beauty Das from urban center (Winner 2002 Benson and Hedges Best Vocal)

     Imran/Vox - Saza/DrumS - Rakib/GuItAR - Sifat/BaSS - Nishat)

    ORGAN (Progressive Rock Band) (Guitar - man, Vox - Anik, Drums - Emran, Keyboard - Faysal, Bass - Shuvo) simply discharged Associate in Nursing album (Protibimbo - A BAND MIXED ALBUM) on twenty six March 2011.

    Nemesis: massively fashionable alt-rock band, presently recording their 2d album.

    Powersurge: one in all the newcoming triple-crown serious metal bands.

    Abeer: player, Singer and composer.

Rabindra sangeet:

    Abid: the youngest creator in tagore song

    Atiqul Islam: deceased

    Fahmeeda Khatun:

    Iffat Ara Dewan: up to date

    Kalim Sharafi deceased

    Tapan Mahmud: President of Rabindra Sangeet    

Tagore artistes of Bangla Desh

    Mita Huque:

    Papia Sarwar: up to date

    Rezwana Chowdhury Banya

    Sadi prophet Takiullah:

    Chanchal Khan: up to date (www.chanchalkhan.com)

    Adity Mohsin : up to date

    Fahim Hossain Chowdhury : up to date

    Iqbal Ahmed: living abroad

    Sirajus Salekin: contemporary/living, Australia.

    Shama Rahman:      Cut nine audio albums for UNESCO, Paris for the a hundred and fiftieth Birth day of Tagore.

 liliaceous plant Islam: up to date

    Dr Sanjeeda Khatun: up to date, higher referred to as a specialist in Rabindra sangeet and because the founding father of Dhaka's musical style faculty, Chhayanot; won Desikottam award by

    Zahidur Rahim: deceased

    Kaderi Kibria: living abroad (USA)

Laisa Ahmed Lisa :one of the leading creator of tagore song, additionally a preferred teacher of biological science & Biotechnology at Juggernaut University, Dhaka

Hip hop:

    Stoic elation

    Deshi Mcs

    Uptown Lokolz

    Lal Miah

    T.O.D - Thugz Of national capital

    T.O.R. - Theology of Rap

    LIQUIDSILVA

    Rap Hood Goonstaz

    Cataclysm

    The Stunnerz

    Lyrical Assassins

    E.S.S

    High Rollers

    D-Briggaz

    R.I.S

    Sinister

    D hood squad

    Desi Desciples

    BanglA MentalZ

    Bangla Youth Project

    Abir Catalyst

Instrumental and compositional:

In 2009, Mushfiqul Alam initiated instrumental/compositional genre in Bangla Desh along with his triple-crown debut album Tunes Of Heaven.[2] This album became fashionable among listeners of Bangla Desh WHO were terribly keen on compositions .